Famed for his work with Peter Gabriel and King Crimson, bass virtuoso Tony Levin
was born in Boston on June 6, 1946. At age ten, he began studying
upright bass, also playing tuba in his high-school marching band and
even forming his own barbershop quartet; as a member of a local youth
orchestra, Levin additionally performed at the White House for President John F. Kennedy. After attending the Eastman School of Music, he appeared with the Rochester Philharmonic, but over time turned away from classical music to play rock and jazz, relocating to New York City in 1970 to join Aha!, ex-Mothers of Invention keyboardist Don Preston's band.
A busy session career followed, with fluid, expressive work on classic LPs, including Lou Reed's Berlin, Kate & Anna McGarrigle's self-titled debut, and Paul Simon's Still Crazy After All These Years. After collaborating with Peter Gabriel on his eponymous 1977 debut, Levin joined the ex-Genesis
frontman's touring unit, during which time he honed his skills on the
Chapman Stick, a unique 10-stringed instrument in which the strings are
not plucked but tapped, a process allowing the individual to play notes
with both hands and create complete multi-part arrangements.
In 1978, Levin settled in Woodstock, NY, serving in the short-lived L'Image; a year later, he played on Robert Fripp's solo effort Exposure, soon thereafter agreeing to join the guitarist in new a incarnation of his groundbreaking progressive unit King Crimson,
and remaining a member of the group for over two decades. (His tour
experiences subsequently yielded a 1984 book of photographs, Road
Photos.) While working on Gabriel's 1986 smash So, Levin
developed Funk Fingers, essentially chopped-off drumsticks designed to
hammer on the bass strings; he later sold Funk Fingers through his own
Papa Bear Records label as well. Sessions with everyone from Robbie Robertson (his 1987 self-titled solo debut) to Laurie Anderson (1989's Strange Angels) to Yes (1991's Union) followed, and in 1996, Levin finally made his solo debut with World Diary. From the Caves of the Iron Mountain, recorded with bamboo flute master Steve Gorn and drummer Jerry Marotta, appeared a year later and in 1998, he formed Bruford Levin Upper Extremities (B.L.U.E.) with longtime King Crimson drummer Bill Bruford, guitarist David Torn, and trumpeter Chris Botti.
Waters of Eden, Levin's Narada label debut, followed in the spring of 2000. Pieces of the Sun
was released in 2001 (an expanded edition came out a year later on Pony
Canyon), with many of the same tracks also included on his 2002 record,
Double Espresso. Prime Cuts,
a compilation of his work on sessions led by other artists on the Magna
Carta label during the '90s, was issued in 2005. A bona fide new solo
effort, Resonator, followed the next year, for the first time featuring Levin as a singer/songwriter as well as a bassist.
Source: All Music.com.
A small tribute to the works of valuable composers, musicians, players and poets. From Al Green and Alberta Hunter to Zoot Sims and Shemekia Copeland, among many others. Covering songs from styles as different as bluegrass, blues, classical, country, heavy metal, jazz, progressive, rock and soul music.
Showing posts with label Avant-garde jazz. Show all posts
Showing posts with label Avant-garde jazz. Show all posts
Wednesday, 28 December 2011
Tony Levin
Labels:
Avant-garde jazz,
Biography,
Free jazz,
Progressive rock
Wednesday, 7 December 2011
Aka Moon "Invisible sun" (2000)
Labels:
Avant-garde jazz,
Jazz rock,
World music
Aka Moon

The unique place Aka
Moon occupies in todays music scène is down to the fact that they,
independent of any particular trends, combine art with inspired musical
craftsmanship. This allows the musical personalities of saxophonist and
composer Fabrizio Cassol, electric bassist Michel Hatzigeorgiou and
drummer Stéphane Galland to explore all kinds of musical traditions and
merge them into their own musical universe.
Since their first encounter with the Aka Pygmées
in 1992, Aka Moon’s focus has shifted towards various different African,
Indian, Maghrebian, Cuban, Arab, Afro-Amercican and European
traditions. Aka Moon juggles with polyrhythms and polyphonies like mad
DJ’s. They slide from one phrase into another, opening up new harmonic
and rhythmic paths. As a trio or in larger formations they cross over in
a kaleidoscopic and elusive way creating a whirlwind of unclassifiable,
transcending and cosmic music. Aka Moon’s virtuoso way to approach
musical styles have inspired great choreographers who have invited Aka
Moon to create and perfom their music within their productions.
The journeys of Aka Moon have been registered in
more than 15 CD’s and therefore these mark always a touchstone in their
musical evolution.
Aka Moon - as a trio or in other constellations - has played all over the world in over then 30 different countries an at festivals as North Sea Jazz, Montréal Jazz festival, Vancouver Jazz festival, New York Jazz festival, Jazz Middelheim, Gaume Jazz, Moers Jazz, Jazz à la Vilette, Dublin Jazz, London Jazz, Cluzone Jazz, Porto Jazz, Dimajazz, Carthage Jazz, etc.
They have worked together with the most virtuoso
musicians, groups and other artists of this era all over the world
amongst who: Umayalpuram K. Sivaraman, Doudou N'diaye Rose, Marc Ducret,
Benoit Delbecq, David Gilmore, Joe Lovano, Robin Eubanks, Magic Malik,
Philippe Catherine, Mark Turner, David Linx, Fabian Fiorini, Toots
Thielemans, Baba Sissoko...
Aka Moon - as a trio or in other constellations - has played all over the world in over then 30 different countries an at festivals as North Sea Jazz, Montréal Jazz festival, Vancouver Jazz festival, New York Jazz festival, Jazz Middelheim, Gaume Jazz, Moers Jazz, Jazz à la Vilette, Dublin Jazz, London Jazz, Cluzone Jazz, Porto Jazz, Dimajazz, Carthage Jazz, etc.
Source: Aka Moon.com.
Labels:
Avant-garde jazz,
Biography,
Jazz rock,
World music
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