A small tribute to the works of valuable composers, musicians, players and poets. From Al Green and Alberta Hunter to Zoot Sims and Shemekia Copeland, among many others. Covering songs from styles as different as bluegrass, blues, classical, country, heavy metal, jazz, progressive, rock and soul music.
Thursday, 15 December 2011
Bonnie Raitt "Live in the Rainbow Room, Philadelphia" (1972)"
Labels:
Blues rock,
Contemporary pop rock,
Live,
Rock,
Slide guitar blues
Bonnie Raitt "Give it up" (1972)
Labels:
Blues rock,
Contemporary pop rock,
Rock,
Slide guitar blues
Bonnie Raitt "Bonnie Raitt" (1971)
Labels:
Blues rock,
Contemporary pop rock,
Rock,
Slide guitar blues
Bonnie Raitt
Long a critic's darling, singer/guitarist Bonnie Raitt did not begin to win the comparable commercial success due her until the release of the aptly titled 1989 blockbuster Nick of Time;
her tenth album, it rocketed her into the mainstream consciousness
nearly two decades after she first committed her unique blend of blues,
rock, and R&B to vinyl. Born in Burbank, CA, on November 8, 1949,
she was the daughter of Broadway star John Raitt,
best known for his starring performances in such smashes as Carousel
and Pajama Game. After picking up the guitar at the age of 12, Raitt
felt an immediate affinity for the blues, and although she went off to
attend Radcliffe in 1967, within two years she had dropped out to begin
playing the Boston folk and blues club circuit. Signing with noted blues
manager Dick Waterman, she was soon performing alongside the likes of idols including Howlin' Wolf, Sippie Wallace, and Mississippi Fred McDowell and in time earned such a strong reputation that she was signed to Warner Bros.
Debuting in 1971 with an eponymously titled effort, Raitt immediately emerged as a critical favorite, applauded not only for her soulful vocals and thoughtful song selection but also for her guitar prowess, turning heads as one of the few women to play bottleneck. Her 1972 follow-up, Give It Up, made better use of her eclectic tastes, featuring material by contemporaries like Jackson Browne and Eric Kaz, in addition to a number of R&B chestnuts and even three Raitt originals. 1973's Takin' My Time was much acclaimed, and throughout the middle of the decade she released an LP annually, returning with Streetlights in 1974 and Home Plate a year later. With 1977's Sweet Forgiveness, Raitt scored her first significant pop airplay with her hit cover of the Del Shannon classic "Runaway"; its follow-up, 1979's The Glow, appeared around the same time as a massive all-star anti-nuclear concert at Madison Square Garden mounted by MUSE (Musicians United for Safe Energy), an organization she'd co-founded earlier.
Throughout her career, Raitt remained a committed activist, playing hundreds of benefit concerts and working tirelessly on behalf of the Rhythm and Blues Foundation. By the early '80s, however, her own career was in trouble -- 1982's Green Light, while greeted with the usual good reviews, again failed to break her to a wide audience, and while beginning work on the follow-up, Warners unceremoniously dropped her. By this time, Raitt was also battling drug and alcohol problems as well; she worked on a few tracks with Prince, but their schedules never aligned and the material went unreleased. Instead, she finally released the patchwork Nine Lives in 1986, her worst-selling effort since her debut.
Many had written Raitt off when she teamed with producer Don Was and recorded Nick of Time; seemingly out of the blue, the LP won a handful of Grammys, including Album of the Year, and overnight she was a superstar. 1991's Luck of the Draw was also a smash, yielding the hits "Something to Talk About" and "I Can't Make You Love Me." After 1994's Longing in Their Hearts, Raitt resurfaced in 1998 with Fundamental. Silver Lining appeared in 2002, followed by Souls Alike in 2005, both on Capitol Records. A year later, Bonnie Raitt and Friends was released, featuring guest appearances from Norah Jones and Ben Harper among others.
Source: All Music.com.
Debuting in 1971 with an eponymously titled effort, Raitt immediately emerged as a critical favorite, applauded not only for her soulful vocals and thoughtful song selection but also for her guitar prowess, turning heads as one of the few women to play bottleneck. Her 1972 follow-up, Give It Up, made better use of her eclectic tastes, featuring material by contemporaries like Jackson Browne and Eric Kaz, in addition to a number of R&B chestnuts and even three Raitt originals. 1973's Takin' My Time was much acclaimed, and throughout the middle of the decade she released an LP annually, returning with Streetlights in 1974 and Home Plate a year later. With 1977's Sweet Forgiveness, Raitt scored her first significant pop airplay with her hit cover of the Del Shannon classic "Runaway"; its follow-up, 1979's The Glow, appeared around the same time as a massive all-star anti-nuclear concert at Madison Square Garden mounted by MUSE (Musicians United for Safe Energy), an organization she'd co-founded earlier.
Throughout her career, Raitt remained a committed activist, playing hundreds of benefit concerts and working tirelessly on behalf of the Rhythm and Blues Foundation. By the early '80s, however, her own career was in trouble -- 1982's Green Light, while greeted with the usual good reviews, again failed to break her to a wide audience, and while beginning work on the follow-up, Warners unceremoniously dropped her. By this time, Raitt was also battling drug and alcohol problems as well; she worked on a few tracks with Prince, but their schedules never aligned and the material went unreleased. Instead, she finally released the patchwork Nine Lives in 1986, her worst-selling effort since her debut.
Many had written Raitt off when she teamed with producer Don Was and recorded Nick of Time; seemingly out of the blue, the LP won a handful of Grammys, including Album of the Year, and overnight she was a superstar. 1991's Luck of the Draw was also a smash, yielding the hits "Something to Talk About" and "I Can't Make You Love Me." After 1994's Longing in Their Hearts, Raitt resurfaced in 1998 with Fundamental. Silver Lining appeared in 2002, followed by Souls Alike in 2005, both on Capitol Records. A year later, Bonnie Raitt and Friends was released, featuring guest appearances from Norah Jones and Ben Harper among others.
Source: All Music.com.
Labels:
Biography,
Blues rock,
Contemporary pop rock,
Rock,
Slide guitar blues
Bon Jovi "Slippery when wet" (1986)
Labels:
Arena rock,
Contemporary pop rock,
Hair metal,
Hard rock,
Heavy metal,
Pop metal,
Rock
Bon Jovi
After ushering in the era of pop-metal with their 1986 blockbuster Slippery When Wet and its hit singles “You Give Love a Bad Name,” “Wanted Dead or Alive,” and “Living on a Prayer,” Bon Jovi
wound up transcending the big-haired ‘80s, withstanding changes in
style and sound to become one of the biggest American rock bands of
their time, selling over 120 million albums worldwide, and sustaining
their popularity well into the new millennium. As the times changed, so
did the band’s sound. They slowly peeled away the arena rock guitars of
the ‘80s, occasionally scoring on the adult contemporary charts and
sometimes singing country music without ever rejecting hard rock, a move
that illustrated how they never abandoned their roots and became second
only to Bruce Springsteen in defining the sound and spirit of New Jersey rock & roll.
Bon Jovi took their name from lead singer Jon Bon Jovi (born Jon Bongiovi), who spent his adolescence playing in local Jersey bands with David Bryan (born David Rashbaum). Jon’s cousin, Tony Bongiovi, owned the celebrated New York recording studio the Power Station and Jon spent many hours there, working as a janitor and recording demos after hours, sometimes supported by members of the E Street Band or Aldo Nova. One of those demos, "Runaway," became a hit on local New Jersey radio and lead to the formation of Bon Jovi the band, as Jon and Bryan were supported by guitarist Dave Sabo, bassist Alec John Such, and drummer Tico Torres. “Runaway” spurred a major-label bidding war leading to a contract with Polygram/Mercury in 1983. Before the group entered the studio, though, Bon Jovi replaced Sabo with Richie Sambora, a working guitarist with a long résumé including a stint as a member of Message.
Bon Jovi released their eponymous debut album in 1984, generating a Top 40 hit with the original version of "Runaway." The following year, 7800° Fahrenheit was released and went gold, all serving as a prelude to the band's 1986 breakthrough, Slippery When Wet. Paul Stanley had given Jon and Richie the phone number of professional songwriter Desmond Child, and together they wrote two of the album's biggest hits in Richie's parents' basement. The trio composed 30 songs in total and auditioned them for local New Jersey and New York teenagers, basing the album's running order on their opinions. Supported by several appealing, straightforward videos that received heavy rotation on MTV, the record took off on the strength of “You Give Love a Bad Name,” followed quickly by “Livin’ on a Prayer” and “Wanted Dead or Alive.” Those three Top Ten Hits helped propel Slippery When Wet to sales of nine million in the U.S. alone, establishing Bon Jovi as superstars in their home country. Their fame was not limited to the U.S., though, as the album also turned into a significant hit in Europe, Canada, Japan, and Australia.
Bon Jovi built upon Slippery When Wet's formula with 1988's New Jersey, which shot to number one upon its release. New Jersey was only slightly less successful than its predecessor, selling five million copies and generating two number one singles, "Bad Medicine" and "I'll Be There for You," as well as the Top Ten hits "Born to Be My Baby," "Lay Your Hands on Me," and "Living in Sin." Following the completion of an 18-month international tour, the band went on hiatus. During the time off, Jon Bon Jovi wrote the soundtrack for Young Guns II, which was released in 1990 as the Blaze of Glory album. The record produced two hit singles -- the number one title track and the number 12 "Miracle" -- and earned several Grammy and Oscar nominations.
The following year, Bon Jovi reunited to record their fifth album, Keep the Faith, which was released in the fall of 1992. While the album didn't match the blockbuster status of its predecessors, it did produce a hit with "Bed of Roses," an adult contemporary-styled ballad that helped sustain the band’s popularity. A greatest-hits album called Cross Road appeared in 1994 and yielded another Top Ten ballad, "Always." Around the same time, bassist Alec John Such left the band; Hugh McDonald, who appeared on Bon Jovi recordings stretching back as far as “Runaway,” became his unofficial replacement and featured prominently on the band’s next album. Released in the fall of 1995, These Days turned into another U.S. Top Ten, as well as a popular European hit. After appearing in the 1996 film Moonlight and Valentino, Jon Bon Jovi released his first official solo album, Destination Anywhere, in the summer of 1997.
During the tail end of the '90s, the members of Bon Jovi engaged in different projects -- Sambora released a sophomore solo set called Undiscovered Soul in 1998 -- before easing back into work in 1999 via a song for EdTV, then beginning work on a full-length record. The resulting album, Crush, appeared in 2000 and constituted something of a comeback in America thanks to the smash single “It’s My Life,” a cross-platform hit single with long legs. “Thank You for Loving Me” also turned into a hit, helping Crush go double platinum in the U.S. and selling eight million copies worldwide. Bon Jovi quickly followed Crush with their eighth studio effort, Bounce, which appeared in fall 2002, and supported the record with another international tour. In 2003, the band re-recorded many of its most well-known songs for the acoustic-based release This Left Feels Right, which also saw an accompanying DVD in 2004.
The ambitious outtakes and rarities box set 100,000,000 Bon Jovi Fans Can't Be Wrong arrived later that November, followed by the all-new Have a Nice Day -- the first of several albums produced by John Shanks. That album's success was aided in part by the single “Who Says You Can’t Go Home,” featuring guest vocals from Sugarland's Jennifer Nettles, which eventually won the Grammy Award for Best Country Collaboration with Vocals -- as well as topping the charts in Japan, Australia, Europe, and Canada. The band spent the following year in the studio, putting the finishing touches on a collection of pop-infused heartland country anthems. The resulting Lost Highway, which featured duets with LeAnn Rimes and Big & Rich, arrived in the summer of 2007 and grabbed the band a healthy new country music fan base in the process. Lost Highway's cross-genre formula proved to be quite potent, securing the band its third number one album in the U.S. Bon Jovi returned to rock shortly thereafter, though, with the release of the somber, searching The Circle in 2009. One year later, Greatest Hits: The Ultimate Collection offered plenty of hits along with two new tracks, “No Apologies” and “What Do You Got?”
Source: All Music.com.
Bon Jovi took their name from lead singer Jon Bon Jovi (born Jon Bongiovi), who spent his adolescence playing in local Jersey bands with David Bryan (born David Rashbaum). Jon’s cousin, Tony Bongiovi, owned the celebrated New York recording studio the Power Station and Jon spent many hours there, working as a janitor and recording demos after hours, sometimes supported by members of the E Street Band or Aldo Nova. One of those demos, "Runaway," became a hit on local New Jersey radio and lead to the formation of Bon Jovi the band, as Jon and Bryan were supported by guitarist Dave Sabo, bassist Alec John Such, and drummer Tico Torres. “Runaway” spurred a major-label bidding war leading to a contract with Polygram/Mercury in 1983. Before the group entered the studio, though, Bon Jovi replaced Sabo with Richie Sambora, a working guitarist with a long résumé including a stint as a member of Message.
Bon Jovi released their eponymous debut album in 1984, generating a Top 40 hit with the original version of "Runaway." The following year, 7800° Fahrenheit was released and went gold, all serving as a prelude to the band's 1986 breakthrough, Slippery When Wet. Paul Stanley had given Jon and Richie the phone number of professional songwriter Desmond Child, and together they wrote two of the album's biggest hits in Richie's parents' basement. The trio composed 30 songs in total and auditioned them for local New Jersey and New York teenagers, basing the album's running order on their opinions. Supported by several appealing, straightforward videos that received heavy rotation on MTV, the record took off on the strength of “You Give Love a Bad Name,” followed quickly by “Livin’ on a Prayer” and “Wanted Dead or Alive.” Those three Top Ten Hits helped propel Slippery When Wet to sales of nine million in the U.S. alone, establishing Bon Jovi as superstars in their home country. Their fame was not limited to the U.S., though, as the album also turned into a significant hit in Europe, Canada, Japan, and Australia.
Bon Jovi built upon Slippery When Wet's formula with 1988's New Jersey, which shot to number one upon its release. New Jersey was only slightly less successful than its predecessor, selling five million copies and generating two number one singles, "Bad Medicine" and "I'll Be There for You," as well as the Top Ten hits "Born to Be My Baby," "Lay Your Hands on Me," and "Living in Sin." Following the completion of an 18-month international tour, the band went on hiatus. During the time off, Jon Bon Jovi wrote the soundtrack for Young Guns II, which was released in 1990 as the Blaze of Glory album. The record produced two hit singles -- the number one title track and the number 12 "Miracle" -- and earned several Grammy and Oscar nominations.
The following year, Bon Jovi reunited to record their fifth album, Keep the Faith, which was released in the fall of 1992. While the album didn't match the blockbuster status of its predecessors, it did produce a hit with "Bed of Roses," an adult contemporary-styled ballad that helped sustain the band’s popularity. A greatest-hits album called Cross Road appeared in 1994 and yielded another Top Ten ballad, "Always." Around the same time, bassist Alec John Such left the band; Hugh McDonald, who appeared on Bon Jovi recordings stretching back as far as “Runaway,” became his unofficial replacement and featured prominently on the band’s next album. Released in the fall of 1995, These Days turned into another U.S. Top Ten, as well as a popular European hit. After appearing in the 1996 film Moonlight and Valentino, Jon Bon Jovi released his first official solo album, Destination Anywhere, in the summer of 1997.
During the tail end of the '90s, the members of Bon Jovi engaged in different projects -- Sambora released a sophomore solo set called Undiscovered Soul in 1998 -- before easing back into work in 1999 via a song for EdTV, then beginning work on a full-length record. The resulting album, Crush, appeared in 2000 and constituted something of a comeback in America thanks to the smash single “It’s My Life,” a cross-platform hit single with long legs. “Thank You for Loving Me” also turned into a hit, helping Crush go double platinum in the U.S. and selling eight million copies worldwide. Bon Jovi quickly followed Crush with their eighth studio effort, Bounce, which appeared in fall 2002, and supported the record with another international tour. In 2003, the band re-recorded many of its most well-known songs for the acoustic-based release This Left Feels Right, which also saw an accompanying DVD in 2004.
The ambitious outtakes and rarities box set 100,000,000 Bon Jovi Fans Can't Be Wrong arrived later that November, followed by the all-new Have a Nice Day -- the first of several albums produced by John Shanks. That album's success was aided in part by the single “Who Says You Can’t Go Home,” featuring guest vocals from Sugarland's Jennifer Nettles, which eventually won the Grammy Award for Best Country Collaboration with Vocals -- as well as topping the charts in Japan, Australia, Europe, and Canada. The band spent the following year in the studio, putting the finishing touches on a collection of pop-infused heartland country anthems. The resulting Lost Highway, which featured duets with LeAnn Rimes and Big & Rich, arrived in the summer of 2007 and grabbed the band a healthy new country music fan base in the process. Lost Highway's cross-genre formula proved to be quite potent, securing the band its third number one album in the U.S. Bon Jovi returned to rock shortly thereafter, though, with the release of the somber, searching The Circle in 2009. One year later, Greatest Hits: The Ultimate Collection offered plenty of hits along with two new tracks, “No Apologies” and “What Do You Got?”
Source: All Music.com.
Labels:
Arena rock,
Biography,
Contemporary pop rock,
Hair metal,
Hard rock,
Heavy metal,
History,
Pop metal,
Rock
Bobby Rush
The creator of a singular sound which he dubbed "folk-funk," multi-instrumentalist Bobby Rush
was among the most colorful characters on the contemporary chitlin
circuit, honing a unique style which brought together a cracked lyrical
bent with elements of blues, soul, and funk.
Born Emmit Ellis, Jr. in Homer, LA, on November 10, 1940, he and his family relocated to Chicago in 1953, where he emerged on the West Side blues circuit of the 1960s, fronting bands which included such notable alumni as Luther Allison and Freddie King. However, as Rush began to develop his own individual sound, he opted to forgo the blues market in favor of targeting the chitlin circuit, which offered a more receptive audience for his increasingly bawdy material; he notched his first hit in 1971 with his Galaxy label single "Chicken Heads," and later scored with "Bow-Legged Woman" for Jewel. He appeared on a wide variety of labels as the decade progressed, culminating in the 1979 LP Rush Hour, produced by Kenny Gamble and Leon Huff for their Philadelphia International imprint. During the early '80s, Rush signed with the LaJam label, where he remained for a number of years; there his work became increasingly funky and deranged, with records like 1984's Gotta Have Money and 1985's What's Good for the Goose Is Good for the Gander often featuring material so suggestive he refused to re-create it live. During the mid-'90s, Rush moved to Waldoxy, heralding a return to a soul-blues sound on LPs including 1995's One Monkey Don't Stop No Show, 1997's Lovin' a Big Fat Woman, and 2000's Hoochie Man. In April 2001, his tour bus crashed, injuring several bandmembers and killing one, Latisha Brown. Rush was hospitalized for a short time, then returned home to recuperate. Rush returned to action in 2003 with the release of the Live from Ground Zero CD and DVD on his own label, Deep Rush, followed by Folkfunk, also on Deep Rush, in 2004. Rush released two albums in 2005, Hen Pecked and Night Fishin', and continued his prolific activity with 2008's Look at What You Gettin', which offered a mix of ballads, soul, and bluesy double entendres.
Source: All Music.com.
Born Emmit Ellis, Jr. in Homer, LA, on November 10, 1940, he and his family relocated to Chicago in 1953, where he emerged on the West Side blues circuit of the 1960s, fronting bands which included such notable alumni as Luther Allison and Freddie King. However, as Rush began to develop his own individual sound, he opted to forgo the blues market in favor of targeting the chitlin circuit, which offered a more receptive audience for his increasingly bawdy material; he notched his first hit in 1971 with his Galaxy label single "Chicken Heads," and later scored with "Bow-Legged Woman" for Jewel. He appeared on a wide variety of labels as the decade progressed, culminating in the 1979 LP Rush Hour, produced by Kenny Gamble and Leon Huff for their Philadelphia International imprint. During the early '80s, Rush signed with the LaJam label, where he remained for a number of years; there his work became increasingly funky and deranged, with records like 1984's Gotta Have Money and 1985's What's Good for the Goose Is Good for the Gander often featuring material so suggestive he refused to re-create it live. During the mid-'90s, Rush moved to Waldoxy, heralding a return to a soul-blues sound on LPs including 1995's One Monkey Don't Stop No Show, 1997's Lovin' a Big Fat Woman, and 2000's Hoochie Man. In April 2001, his tour bus crashed, injuring several bandmembers and killing one, Latisha Brown. Rush was hospitalized for a short time, then returned home to recuperate. Rush returned to action in 2003 with the release of the Live from Ground Zero CD and DVD on his own label, Deep Rush, followed by Folkfunk, also on Deep Rush, in 2004. Rush released two albums in 2005, Hen Pecked and Night Fishin', and continued his prolific activity with 2008's Look at What You Gettin', which offered a mix of ballads, soul, and bluesy double entendres.
Source: All Music.com.
Bobby Hackett
Labels:
Dixieland,
Jazz,
Swing,
Traditional pop
Bobby 'Blue' Bland & B. B. King "Together again... live" (1976)
Bobby 'Blue' Bland "The Millennium collection" (2000)
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